Reflect on the new ending you created for "Pagan Night." For example, you may claim that changing character, symbolism, and setting also changed one theme. In the body of your essay, make sure to tell us what that theme is! This is an example of framing your argument with three causes and one effect. OR you may claim that changing character affected plot, setting, and theme. This is an example of framing your argument with one cause and three effects.© BrainMass Inc. brainmass.com October 25, 2018, 3:46 am ad1c9bdddf
The alternate ending you wrote for Pagan Night, where you very satisfactorily killed off Dalton, affected at least three of the story's conflicts, or themes. The first theme was that Sunny was a camp follower of Dalton's. His death (suicide, in effect) by heroin overdose freed her from her obligations to Dalton, and Dalton's wishes, whether those obligations were imposed by him, or imposed by Sunny upon herself. His death freed her to make her own decisions. You indicated her release from his demands by her callous dumping and abandonment of his dead body - her refusal to think of the thing that Dalton had become as the Dalton that she knew. Note that you made Dalton's death in no way Sunny's fault. Dalton was entirely and completely responsible for his own demise. That is the good part about being the author of the new ending. This theme, of Sunny's release from Dalton's wishes, allowed her to make the ...
Kate Braverman's short story Pagan Night has an alternate ending, which is analyzed for plot, theme and setting according to the character change that makes up the alternate ending.
Explain what an epiphany is and how it functions in James Joyce's "Eveline"? and two other critical analysis questions, one per story.
I need some help answering the questions below each story. Each file/story is different. Please read carefully. Thanks!
** Two stories are pasted here. One is attached. **
"Eveline" By James Joyce
SHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odor of dusty cretonne. She was tired.
Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it - not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field - the Divines, the Waters, the Dunn's, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.
Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:
"He is in Melbourne now."
She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.
"Miss Hill, don't you see these ladies are waiting?"
"Look lively, Miss Hill, please."
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would not be like that. Then she would be married - she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages - seven shillings - and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickiy as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work - a hard life - but now that she was about to leave it she did not find it a wholly undesirable life.
She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had talcs of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him.
"I know these sailor chaps," he said.
One day he had quarreled with Frank and after that she had to meet her lover secretly.
The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favorite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.
Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:
"Damned Italians! coming over here!"
As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being - that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:
Derevaun Seraun! Derevaun Seraun!"
She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.
She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggage. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what her duty was. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke nausea in her body and she kept moving her lips in silent fervent prayer.
A bell clanged upon her heart. She felt him seize her hand:
All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her.
She gripped with both hands at the iron railing.
No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish.
He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.
Please answer the question below, Your response should be at least a 150 word paragraph, incorporate relevant quotes when needed from the respective work, and be clearly articulated.
1. Explain what an epiphany is and how it functions in James Joyce's "Eveline"?
DEAD MEN'S PATH
Michael Obi's hopes were fulfilled much earlier than he had expected. He was appointed headmaster of Ndume Central School in January 1949- It had always been an unprogressive school, so the Mission authorities decided to send a young and energetic man to run it. Obi accepted this responsibility with enthusiasm. He had many wonderful ideas and this was an opportunity to put them into practice. He had had sound secondary school education which designated him a "pivotal teacher" in the official records and set him apart from the other headmasters in the mission field. He was outspoken in his condemnation of the narrow views of these older and often less-educated ones.
"We shall make a good job of it, shan't we?" he asked his young wife when they first heard the joyful news of his promotion.
"We shall do our best," she replied. "We shall have such beautiful gardens and everything will be just modern and delightful. . ." In their two years of married life she had become completely infected by his passion for "modern methods" and his denigration of "these old and superannuated people in the teaching field who would be better employed as traders in the Onitsha mar¬ket." She began to see herself already as the admired wife of the young head¬master, the queen of the school.
The wives of the other teachers would envy her position. She would set the fashion in everything . . . Then, suddenly, it occurred to her that there might not be other wives. Wavering between hope and fear, she asked her husband, looking anxiously at him.
"All our colleagues are young and unmarried," he said with enthusiasm which for once she did not share. "Which is a good thing," he continued.
"Why? They will give all their time and energy to the school." Nancy was downcast. For a few minutes she became skeptical about the new school; but it was only for a few minutes. Her little personal misfortune could not blind her to her husband's happy prospects. She looked at him as he sat folded up in a chair. He was stoop-shouldered and looked frail. But he sometimes surprised people with sudden bursts of physical energy. In his pre¬sent posture, however, all his bodily strength seemed to have retired behind his deep-set eyes, giving them an extraordinary power of penetration. He was only twenty-six, but looked thirty or more. On the whole, he was not unhandsome.
"A penny for your thoughts, Mike," said Nancy after a while, imitating the woman's magazine she read.
"I was thinking what a grand opportunity we've got at last to show these people how a school should be run."
Ndume School was backward in every sense of the word. Mr. Obi put his whole life into the work, and his wife hers too. He had two aims. A high stan¬dard of teaching was insisted upon, and the school compound was to be turned into a place of beauty. Nancy's dream-gardens came to life with the coming of the rains, and blossomed. Beautiful hibiscus and allamanda hedges in brilliant red and yellow marked our carefully tended school compound from the rank neighborhood bushes.
One evening as Obi was admiring his work he was scandalized to see an old woman from the village hobble right across the compound, through a marigold flower-bed and the hedges. On going up there he found faint signs of an almost disused path from the village across the school compound to the bush on the other side.
"It amazes me," said Obi to one of his teachers who had been three years in the school, "that you people allowed the villagers to make use of this footpath. It is simply incredible." He shook his head.
"The path," said the teacher apologetically, "appears to be very impor¬tant to them. Although it is hardly used, it connects the village shrine with their place of burial."
"And what has that got to do with the school?" asked the headmaster.
"Well, I don't know," replied the other with a shrug of the shoulders. "But I remember there was a big row some lime ago when we attempted to close it."
"That was some time ago. But it will not be used now," said Obi as he walked away. "What will the Government Education Officer think of this when he comes to inspect the school next week? The villagers might, for all I know, decide to use the schoolroom for a pagan ritual during the inspection."
Heavy sticks were planted closely across the path at the two places where it entered and left the school premises. These were further strengthened with barbed wire.
Three days later the village priest of Ant called on the headmaster. He was an old man and walked with a slight stoop. He carried a stout walking-stick which he usually tapped on the floor, by way of emphasis, each time he made a new point in his argument.
"I have heard," he said after the usual exchange of cordialities, "that our ancestral footpath has recently been closed ..."
"Yes," replied Mr. Obi. "We cannot allow people to make a highway of our school compound."
"Look here, my son," said the priest bringing down his walking-stick, "this path was here before you were born and before your father was born. The whole life of this village depends on it. Our dead relatives depart by it and our ancestors visit us by it. But most important, it is the path of children coming in to be born ..."
Mr. Obi listened with a satisfied smile on his face.
"The whole purpose of our school," he said finally, "is to eradicate just such beliefs as that. Dead men do not require footpaths. The whole idea is just fantastic. Our duty is to teach your children to laugh at such ideas."
"What you say may be true," replied the priest, "but we follow the practices of our fathers. If you reopen the path we shall have nothing to quarrel about. What I always say is: let the hawk perch and let the eagle perch." He rose to go.
"I am sorry," said the young headmaster. "But the school compound cannot be a thoroughfare. It is against our regulations. I would suggest your constructing another path, skirting our premises. We can even get our boys to help in building it. I don't suppose the ancestors will find the little detour too burdensome."
"I have no more words to say," said the old priest, already outside.
Two days later a young woman in the village died in childbed. A diviner was immediately consulted and he prescribed heavy sacrifices to propitiate ancestors insulted by the fence.
Obi woke up next morning among the ruins of his work. The beautiful hedges were torn up not just near the path but right round the school, the flowers trampled to death and one of the school buildings pulled down . . . That day, the white Supervisor came to inspect the school and wrote a nasty report on the state of the premises but more seriously about the "tribal-war situation developing between the school and the village, arising in part from the misguided zeal of the new headmaster."
By CHINUA ACHEBE
Please answer the question below. Your response should be at least a 150 word paragraph, incorporate relevant quotes when needed from the respective work, and be clearly articulated.
1. Chinua Achebe felt that society was at a crossroads in terms of cultural beliefs. How does "Dead Men's Path" illustrate this point?
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